Aki Shino : Tsurayuki-kun! Why in the heck did you do it?! |
(0:00:00.31) |
Tsurayuki Rokuonji : I'm sorry, okay? |
(0:00:03.60) |
Tsurayuki Rokuonji : I was hungry, and there was nothing else that looked good. |
(0:00:04.93) |
Aki Shino : How's that make it okay to eat other people's stuff?! |
(0:00:07.56) |
Tsurayuki Rokuonji : Seriously, I do feel bad! |
(0:00:10.32) |
Tsurayuki Rokuonji : Which is why I went ahead and got you some Sukiyamon! See? |
(0:00:13.74) |
Aki Shino : This is is soy sauce-flavored! |
(0:00:17.87) |
Aki Shino : Umakatoyo is tonkotsu-flavored! |
(0:00:19.29) |
Aki Shino : They ain't the same thing! |
(0:00:21.13) |
Tsurayuki Rokuonji : I don't get the big deal. They're both instant ramen. |
(0:00:22.83) |
Kyouya Hashiba : Starting this spring, along with enrolling in art school, |
(0:00:24.52) |
Aki Shino : They can be the same kinda food, but that don't make them the same food! |
(0:00:26.39) |
Tsurayuki Rokuonji : I've started living in this share house with some of my classmates. |
(0:00:26.97) |
Tsurayuki Rokuonji : In general terms, they're the same thing! |
(0:00:29.41) |
Aki Shino : Are not! |
(0:00:31.26) |
Tsurayuki Rokuonji : They are! |
(0:00:32.25) |
Aki Shino : I want mine back! |
(0:00:33.45) |
Tsurayuki Rokuonji : Too bad! |
(0:00:34.56) |
Nanako Kogure : I heard the whole argument! |
(0:00:36.59) |
Nanako Kogure : Tsurayuki, seriously, eating someone else's food |
(0:00:40.60) |
Nanako Kogure : is the one of the worst things a roommate can do! |
(0:00:43.97) |
Nanako Kogure : What's wrong? Why'd everyone go so quiet? |
(0:00:47.10) |
Kyouya Hashiba : Uh, well, Nanako... Your clothes... |
(0:00:51.03) |
Nanako Kogure : My clothes? |
(0:00:54.89) |
Nanako Kogure : Quit looking! |
(0:01:02.94) |
Nanako Kogure : I forgot I was in the middle of changing! |
(0:01:05.43) |
Tsurayuki Rokuonji : Hell of a puncher, isn't she? |
(0:01:08.22) |
Kyouya Hashiba : For whatever reason, I ended up traveling |
(0:01:10.93) |
Kyouya Hashiba : ten years into the past with my memories intact. |
(0:01:14.33) |
Kyouya Hashiba : It's what you might call a "time leap." |
(0:01:17.21) |
Kyouya Hashiba : My second attempt attempt at college has so far been colored |
(0:01:20.05) |
Kyouya Hashiba : with instant ramen's flavor and painful hits to the solar plexus, |
(0:01:22.61) |
Kyouya Hashiba : along with hope and anxiety. |
(0:01:25.22) |
Kyouya Hashiba : It won't be long before we start creating for real. |
(0:01:28.56) |
Kyouya Hashiba : I can't help but wonder what awaits us. |
(0:01:31.61) |
Misaki Kanou : When it comes to filmmaking, these four areas are going to be crucial. |
(0:03:10.92) |
Misaki Kanou : I want you to form groups of four, with each person handling one area. |
(0:03:16.17) |
Misaki Kanou : The project is to be three minutes long. |
(0:03:24.01) |
Misaki Kanou : And I mean that seriously, |
(0:03:26.38) |
Misaki Kanou : because once you've all turned in your shorts, we'll be screening them. |
(0:03:28.11) |
Nanako Kogure : Everyone's gonna see? |
(0:03:31.14) |
Aki Shino : Better make sure it turns out good! |
(0:03:33.97) |
Misaki Kanou : Finally, regarding the theme of the short films I want you all to make... |
(0:03:36.42) |
Tsurayuki Rokuonji : "Time" is kinda broad as far as themes go. |
(0:03:42.86) |
Kyouya Hashiba : So broad it's hard to know where to drill down. |
(0:03:46.73) |
Tsurayuki Rokuonji : Yeah. |
(0:03:48.85) |
Tsurayuki Rokuonji : And there's a three-minute limit on our runtime, too. |
(0:03:50.27) |
Tsurayuki Rokuonji : That teacher isn't trying to make this easy! |
(0:03:53.80) |
Kyouya Hashiba : It's a good thing we were able to pick out our team so quickly, though. |
(0:03:56.68) |
Tsurayuki Rokuonji : Team Kitayama, featuring the roommates from Share House Kitayama... |
(0:03:58.94) |
Tsurayuki Rokuonji : Kinda on the nose, huh? |
(0:04:02.38) |
Kyouya Hashiba : You're directing. Shinoaki's handling the technical side. |
(0:04:04.44) |
Kyouya Hashiba : Nanako's performing, and I'm production... |
(0:04:07.64) |
Tsurayuki Rokuonji : Well, I wanna do the script, but don't care about the performance side of things. |
(0:04:10.27) |
Tsurayuki Rokuonji : I'm counting on you, Kyoya! |
(0:04:15.61) |
Kyouya Hashiba : I didn't think we'd end up at the same part time job, too. |
(0:04:19.58) |
Nanako Kogure : Tell me about it. |
(0:04:22.95) |
Nanako Kogure : The manager gave me a funny look |
(0:04:24.25) |
Nanako Kogure : when he noticed we had the same address on our applications. |
(0:04:26.16) |
Kyouya Hashiba : What do you mean? |
(0:04:28.35) |
Nanako Kogure : Forget about it. |
(0:04:30.73) |
Nanako Kogure : Here, hand that over. I'll put it on this shelf. |
(0:04:31.88) |
Kyouya Hashiba : Say, Nanako... |
(0:04:41.87) |
Kyouya Hashiba : Why'd you enroll in art school? |
(0:04:44.73) |
Kyouya Hashiba : Is there something you want to do? |
(0:04:46.75) |
Nanako Kogure : There wasn't any real reason. |
(0:04:54.25) |
Nanako Kogure : Maybe because I was sick of Lake Biwa? |
(0:04:57.56) |
Kyouya Hashiba : The big lake from where you live? |
(0:05:00.42) |
Nanako Kogure : Yeah. |
(0:05:02.41) |
Nanako Kogure : When I was in grade school, I used to think it was the ocean. |
(0:05:03.17) |
Nanako Kogure : L-Listen, it's seriously huge! |
(0:05:09.41) |
Nanako Kogure : You would've thought it was the ocean at that age, too! |
(0:05:12.77) |
Nanako Kogure : Anyway, there's really nothing else to it... |
(0:05:19.37) |
Nanako Kogure : I mean, there are towns and stores, |
(0:05:22.76) |
Nanako Kogure : and you can find most things you need there. |
(0:05:25.52) |
Nanako Kogure : But I think if I had never left home, |
(0:05:27.80) |
Nanako Kogure : I would've never learned what the ocean was really like. |
(0:05:29.53) |
Nanako Kogure : The idea of time just passing by in a place like that scared me. |
(0:05:44.09) |
Nanako Kogure : And before I knew it, here I was. |
(0:05:49.19) |
Nanako Kogure : It's embarrassing to admit, but it's kind of like I'm here to find myself. |
(0:05:53.43) |
Kyouya Hashiba : I think I get what you mean. |
(0:05:58.68) |
EXTRA : The doors are closing. Please stand clear. |
(0:06:17.57) |
Nanako Kogure : Are you here for a similar reason? |
(0:06:38.59) |
Kyouya Hashiba : Yeah. |
(0:06:40.79) |
Kyouya Hashiba : What is it? |
(0:06:45.79) |
Nanako Kogure : Let me. |
(0:06:46.53) |
Nanako Kogure : This goes up here. |
(0:06:47.67) |
Kyouya Hashiba : Wait, Nanako... |
(0:06:50.13) |
Nanako Kogure : Aw, it got caught on something. |
(0:06:51.80) |
Nanako Kogure : Sorry, gimme one second... |
(0:06:55.31) |
Kyouya Hashiba : Just one? |
(0:06:57.66) |
Kyouya Hashiba : Uh, never mind. |
(0:07:00.05) |
Nanako Kogure : Almost done... |
(0:07:02.28) |
Kyouya Hashiba : I might be trying to act like I did when I was younger, |
(0:07:06.94) |
Kyouya Hashiba : but I'm still 28 mentally. |
(0:07:09.59) |
Kyouya Hashiba : Say, Nanako... |
(0:07:13.93) |
Kyouya Hashiba : Uh... thank you. |
(0:07:15.26) |
Nanako Kogure : No sweat. |
(0:07:17.61) |
Nanako Kogure : Come on. Let's finish up. |
(0:07:18.66) |
Kyouya Hashiba : I'm sure I don't need to explain how I was in no hurry to finish up. |
(0:07:21.76) |
Nanako Kogure : Get those hands moving, Kyoya. |
(0:07:26.04) |
Misaki Kanou : You're going to fill this in, later, then? |
(0:07:38.88) |
Kyouya Hashiba : Right. We're still not sure what we're doing. |
(0:07:41.04) |
Misaki Kanou : There's no telling when inspiration will strike, after all. |
(0:07:44.39) |
Misaki Kanou : Make sure to keep your antennae up. |
(0:07:48.12) |
Kyouya Hashiba : Right... |
(0:07:50.43) |
Misaki Kanou : Has anything interesting happened lately that you could use? |
(0:07:51.48) |
Kyouya Hashiba : Lately? |
(0:07:55.81) |
Misaki Kanou : Well, it sure looks like something has. |
(0:08:02.34) |
Kyouya Hashiba : You have no idea. |
(0:08:04.92) |
Kyouya Hashiba : Uh, no, nothing really! |
(0:08:08.25) |
Kyouya Hashiba : I-If you'll excuse me! |
(0:08:10.78) |
Kyouya Hashiba : We'd better figure this out soon. |
(0:08:17.81) |
Kyouya Hashiba : I'm home... |
(0:08:21.41) |
Kyouya Hashiba : Shinoaki, you'll catch a cold. |
(0:08:28.52) |
Aki Shino : Can't eat another bite... |
(0:08:31.81) |
Kyouya Hashiba : Come on. Time to finish eating. |
(0:08:34.71) |
Aki Shino : Good morning, Kyoya-kun. |
(0:08:46.90) |
Aki Shino : That was a real nice dream. |
(0:08:56.68) |
Aki Shino : I had a bunch of Itoshima oysters to eat. |
(0:08:59.01) |
Kyouya Hashiba : Sorry to interrupt your meal. |
(0:09:02.24) |
Kyouya Hashiba : Come to think of it, Shinoaki, why'd you enroll in art school? |
(0:09:05.20) |
Aki Shino : I can't do anything, |
(0:09:11.97) |
Aki Shino : so I wanted to find something I could do. |
(0:09:14.42) |
Aki Shino : That's how I ended up here. |
(0:09:17.68) |
Kyouya Hashiba : That's why you choose art school? |
(0:09:19.85) |
Aki Shino : Yeah. |
(0:09:21.39) |
Aki Shino : I've never been real good at studying, even in elementary school. |
(0:09:22.23) |
Aki Shino : I'd even miss the train a lot. |
(0:09:26.81) |
Kyouya Hashiba : I can imagine that. |
(0:09:29.71) |
Aki Shino : Since it was in the country, missing the train meant waiting for a whole half hour. |
(0:09:31.56) |
Aki Shino : The folks from the station even got to know me. |
(0:09:36.85) |
Aki Shino : What's wrong? |
(0:09:59.22) |
Kyouya Hashiba : I think I have an idea that goes with our theme! |
(0:10:00.60) |
Kyouya Hashiba : I'm thinking of having the short take place at a train station. |
(0:10:04.96) |
Nanako Kogure : Why a train station? |
(0:10:07.34) |
Kyouya Hashiba : Since it's the type of place everyone is familiar with, |
(0:10:09.54) |
Kyouya Hashiba : there's a lot of obvious shorthand that'll help people understand the setting. |
(0:10:12.15) |
Kyouya Hashiba : And I think it'd be well-suited to a story that wraps up in three minutes. |
(0:10:15.08) |
Nanako Kogure : You've got a point! |
(0:10:19.43) |
Aki Shino : Everybody uses the train. |
(0:10:21.35) |
Kyouya Hashiba : And since stations tend to stay intact for long periods of time, |
(0:10:23.75) |
Kyouya Hashiba : they work well for depicting the passage of time. |
(0:10:27.45) |
Kyouya Hashiba : My idea is to use that to depict the life of one woman |
(0:10:30.04) |
Kyouya Hashiba : over the course of three minutes. |
(0:10:33.22) |
Kyouya Hashiba : And I thought it might be good to have her life progress in tune with the time of day. |
(0:10:36.63) |
Kyouya Hashiba : What do you think? |
(0:10:41.90) |
Nanako Kogure : Sounds interesting! I think it'll work. |
(0:10:42.89) |
Aki Shino : I like it, too. |
(0:10:45.27) |
Aki Shino : I can't wait to see it screened! |
(0:10:47.10) |
Kyouya Hashiba : What do you think, Tsurayuki? |
(0:10:49.77) |
Tsurayuki Rokuonji : Can I get a half-hour? |
(0:10:51.76) |
Aki Shino : I wonder what that's about. |
(0:10:57.29) |
Nanako Kogure : I dunno. |
(0:10:58.95) |
Kyouya Hashiba : What's this? |
(0:11:09.35) |
Tsurayuki Rokuonji : I wrote up a plot for the setup you described. |
(0:11:10.46) |
Tsurayuki Rokuonji : I figured it was what you were after. |
(0:11:13.44) |
Kyouya Hashiba : Wow! This is exactly what I meant! |
(0:11:15.40) |
Aki Shino : You're really something, Tsurayuki-kun! |
(0:11:17.95) |
Aki Shino : You were able to come up with something so quick! |
(0:11:20.30) |
Nanako Kogure : That's better than I figured you could manage! |
(0:11:23.17) |
Tsurayuki Rokuonji : Well, I didn't come up with the idea myself, so I figured I should do this much. |
(0:11:25.37) |
Aki Shino : That settles it, then! |
(0:11:30.25) |
Nanako Kogure : No objections! |
(0:11:32.16) |
Kyouya Hashiba : Yeah, I'm looking forward to the script— |
(0:11:33.64) |
Tsurayuki Rokuonji : Kyoya... |
(0:11:36.05) |
Tsurayuki Rokuonji : You got a second? |
(0:11:37.92) |
Kyouya Hashiba : What is it, Tsurayuki? |
(0:11:47.14) |
Kyouya Hashiba : What's this? |
(0:11:51.21) |
Tsurayuki Rokuonji : Something from my idea notebook. |
(0:11:52.39) |
Kyouya Hashiba : Isn't this— |
(0:11:58.07) |
Tsurayuki Rokuonji : It's the exact same thing. |
(0:11:59.29) |
Tsurayuki Rokuonji : Your idea, and what I had written down in my notes. |
(0:12:01.02) |
Kyouya Hashiba : I swear, I didn't see— |
(0:12:05.32) |
Tsurayuki Rokuonji : Yeah, I know. |
(0:12:06.32) |
Tsurayuki Rokuonji : I actually had it locked up. |
(0:12:09.06) |
Tsurayuki Rokuonji : You couldn't possibly have seen it. |
(0:12:11.58) |
Tsurayuki Rokuonji : But you still managed to come up with the same idea, |
(0:12:14.33) |
Tsurayuki Rokuonji : like you read my mind. |
(0:12:18.78) |
Tsurayuki Rokuonji : It honestly felt like you took something right out of my head. |
(0:12:21.81) |
Tsurayuki Rokuonji : Which is why I rushed to write down the outline. |
(0:12:25.21) |
Kyouya Hashiba : I didn't mean to. |
(0:12:28.22) |
Tsurayuki Rokuonji : It was scary, man, if I'm being honest. |
(0:12:29.51) |
Kyouya Hashiba : Come to think of it, how exactly did I come up with that idea? |
(0:12:35.41) |
Kyouya Hashiba : I remember now... It was from a collection of short stories. |
(0:12:40.02) |
Kyouya Hashiba : A story about a woman's life, depicted against the background of a train station. |
(0:12:44.44) |
Kyouya Hashiba : I think the impression it left me with is what had me imagine something similar. |
(0:12:49.95) |
Kyouya Hashiba : And I didn't read that book until some point in the future. |
(0:12:54.81) |
Kyouya Hashiba : Does that mean I essentially stole the idea from Tsurayuki's future self? |
(0:13:00.87) |
Tsurayuki Rokuonji : Kyoya, is it just a coincidence? |
(0:13:08.03) |
Tsurayuki Rokuonji : Or is there something else going on here? |
(0:13:11.50) |
Tsurayuki Rokuonji : Well, Kyoya? Which one is it? |
(0:13:21.29) |
Tsurayuki Rokuonji : Yeah, it couldn't be... |
(0:13:31.54) |
Tsurayuki Rokuonji : Sorry about that. It has to be a coincidence. |
(0:13:34.33) |
Tsurayuki Rokuonji : It's not out of the question for different people to have the same idea. |
(0:13:37.46) |
Kyouya Hashiba : You've got a point. |
(0:13:41.53) |
Tsurayuki Rokuonji : I've gotta be honest, I was kind of glad. |
(0:13:42.50) |
Kyouya Hashiba : Why? |
(0:13:45.43) |
Tsurayuki Rokuonji : A train station makes for an easy setting, |
(0:13:46.71) |
Tsurayuki Rokuonji : both in terms of the possibility space for characters' behavior, |
(0:13:48.27) |
Tsurayuki Rokuonji : and the things that can happen to them. |
(0:13:51.34) |
Tsurayuki Rokuonji : That's something that you pick up from learning about screenwriting. |
(0:13:54.60) |
Tsurayuki Rokuonji : But if anybody here at school realized that, I sure didn't notice. |
(0:13:58.90) |
Tsurayuki Rokuonji : Which is why I was thinking about just doing the bare minimum for the project, |
(0:14:04.31) |
Tsurayuki Rokuonji : and focusing on my individual studies. |
(0:14:06.90) |
Tsurayuki Rokuonji : But I get the feeling we could make something good together, Kyoya. |
(0:14:10.66) |
Tsurayuki Rokuonji : Let's give the teachers a real shock with our project! |
(0:14:15.58) |
Kyouya Hashiba : Yeah! |
(0:14:21.73) |
Tsurayuki Rokuonji : What do you mean, you want to make some cuts?! |
(0:15:02.21) |
Kyouya Hashiba : As things stand, we're going to end up going over three minutes, |
(0:15:04.60) |
Kyouya Hashiba : so I was hoping you could rewrite the script. |
(0:15:08.05) |
Tsurayuki Rokuonji : I submitted the script we have after already rewriting it a bunch, |
(0:15:09.78) |
Tsurayuki Rokuonji : because I thought it was the best version of that story! |
(0:15:13.18) |
Tsurayuki Rokuonji : There's nothing in it that can be cut for time! |
(0:15:15.34) |
Kyouya Hashiba : Still... |
(0:15:19.48) |
Tsurayuki Rokuonji : Shinoaki, you can adjust the storyboards to make sure everything fits, right? |
(0:15:21.32) |
Aki Shino : Let me think... |
(0:15:27.19) |
Aki Shino : It should be doable, but... |
(0:15:29.45) |
Tsurayuki Rokuonji : And if we pick up the pace with your lines, |
(0:15:31.45) |
Tsurayuki Rokuonji : we can cram them in within the time limit, right? |
(0:15:33.84) |
Nanako Kogure : Can we, though? |
(0:15:36.47) |
Nanako Kogure : I mean, I'd have to try... |
(0:15:37.99) |
Tsurayuki Rokuonji : That's what I'm talking about! |
(0:15:40.26) |
Tsurayuki Rokuonji : We should at least try first! |
(0:15:41.92) |
Tsurayuki Rokuonji : Right? |
(0:15:44.04) |
Kyouya Hashiba : There's a hard time limit on this assignment. |
(0:15:48.25) |
Kyouya Hashiba : No matter how good the short turns out, |
(0:15:50.75) |
Kyouya Hashiba : if we go past that limit, we'll be worse off for it. |
(0:15:52.59) |
Kyouya Hashiba : But is that good enough a reason to convince Tsurayuki? |
(0:15:55.55) |
Kyouya Hashiba : Right now, this is probably the best I can do. |
(0:16:00.39) |
Kyouya Hashiba : It's an assignment, after all, so we need to follow the rules if we want the credit. |
(0:16:03.65) |
Kyouya Hashiba : So... |
(0:16:08.03) |
Tsurayuki Rokuonji : Okay. Fine. I'll make the cuts. |
(0:16:11.69) |
Kyouya Hashiba : Tsurayuki... |
(0:16:15.87) |
Tsurayuki Rokuonji : Is this your approach when it comes to making something good, Kyoya? |
(0:16:17.16) |
Tsurayuki Rokuonji : Talk about lame. |
(0:16:26.13) |
Nanako Kogure : Tsurayuki is such a perfectionist! |
(0:16:35.85) |
Nanako Kogure : If it's running long, we should just make the cuts! |
(0:16:38.89) |
Aki Shino : Don't let it bug you too much. |
(0:16:41.98) |
Kiryu Takashi : You there, the young lady stepping on me... |
(0:16:45.61) |
Kiryu Takashi : I'm going to refrain from the impulse to savor this sensation, |
(0:16:50.65) |
Kiryu Takashi : and ask for your help instead. |
(0:16:54.96) |
Kiryu Takashi : If you have any sympathy for your senpai, who's run out of money from home, |
(0:16:56.97) |
Kiryu Takashi : and is slowly starving to death... |
(0:17:00.20) |
Kyouya Hashiba : Is this the place? |
(0:17:04.41) |
Kiryu Takashi : Y-Yes, thank you. |
(0:17:06.04) |
Kiryu Takashi : This is a huge relief. |
(0:17:10.43) |
Kiryu Takashi : It looks like I was able to make it back, thanks to the three of you. |
(0:17:12.17) |
Kiryu Takashi : And now, freshmen— |
(0:17:17.82) |
Kiryu Takashi : You're ours! |
(0:17:19.22) |
Sugimoto : Nice one, Prez! |
(0:17:21.34) |
Kiryu Takashi : Looks like we can avert a third year of budget cuts! |
(0:17:22.89) |
Kakihara : We'll be able to survive another year! |
(0:17:27.15) |
Kiryu Takashi : I am seriously so sorry! |
(0:17:29.65) |
Hiyama : Sorry about the whole snare. |
(0:17:32.28) |
Kyouya Hashiba : It's not a big deal, so please, stop bowing! |
(0:17:34.63) |
Kiryu Takashi : So, you're going to join the club, right?! |
(0:17:36.91) |
Kyouya Hashiba : That is a different matter altogether. |
(0:17:38.96) |
Sugimoto : It's no use after all. |
(0:17:41.17) |
Kakihara : Please! We're going to be in real trouble without new members. |
(0:17:42.83) |
Kiryu Takashi : Could we at least get permission to use your name? |
(0:17:46.14) |
Kiryu Takashi : Please, Hashy?! |
(0:17:48.61) |
Kyouya Hashiba : Please don't come up with weird nicknames for me! |
(0:17:49.68) |
Kyouya Hashiba : I don't really have time for a circle, anyway. |
(0:17:53.00) |
Aki Shino : I'm thinking about joining. |
(0:17:55.72) |
Nanako Kogure : Yeah, me too, as long as it's for a trial period. |
(0:17:58.72) |
Kyouya Hashiba : Seriously? |
(0:18:01.33) |
EXTRA : Hooray! Hooray! |
(0:18:02.22) |
EXTRA : Hooray! |
(0:18:04.72) |
Kyouya Hashiba : I... |
(0:18:06.58) |
Kiryu Takashi : I'm Kiryu Takashi, in my fifth year of the photography program. |
(0:18:09.93) |
Kiryu Takashi : If you have any questions about taking pictures, I'm your man. |
(0:18:13.10) |
Kiryu Takashi : I'll make time. |
(0:18:16.11) |
Eiko Kawasegawa : Hashiba Kyoya... |
(0:18:36.37) |
Kyouya Hashiba : Oh, chief... |
(0:18:39.28) |
Kyouya Hashiba : Er, Kawasegawa-san. |
(0:18:40.97) |
Eiko Kawasegawa : Is your team going to be filming at the station, too? |
(0:18:43.29) |
Kyouya Hashiba : Oh... yeah. Yours, too? |
(0:18:47.43) |
Eiko Kawasegawa : You're not going to outdo us. |
(0:18:50.92) |
Eiko Kawasegawa : No matter what you're putting together, |
(0:18:52.61) |
Eiko Kawasegawa : my team intends to get the highest marks. |
(0:18:55.90) |
Kyouya Hashiba : O...kay. |
(0:18:58.70) |
Eiko Kawasegawa : Don't think we're competing at the same level. |
(0:19:00.36) |
Eiko Kawasegawa : Because we're not. |
(0:19:03.09) |
Kyouya Hashiba : We're trying to make something good— |
(0:19:05.09) |
Eiko Kawasegawa : Then let me ask you... |
(0:19:06.93) |
Eiko Kawasegawa : What's the concept of your short? |
(0:19:08.08) |
Eiko Kawasegawa : What's the most important element of it? |
(0:19:10.71) |
Eiko Kawasegawa : How are you going to use the three-minute runtime? |
(0:19:12.21) |
Eiko Kawasegawa : You're handling production, so you should have some idea, right? |
(0:19:15.35) |
Kyouya Hashiba : Well... |
(0:19:17.80) |
Eiko Kawasegawa : Don't underestimate filmmaking. |
(0:19:21.05) |
Kyouya Hashiba : Here's the location release form. |
(0:19:26.68) |
Misaki Kanou : Have a seat, and I'll see about getting that stamped for you. |
(0:19:28.07) |
Misaki Kanou : Let's see... |
(0:19:30.94) |
Misaki Kanou : Sorry about— |
(0:19:36.79) |
Misaki Kanou : Production's always got something to worry about, huh? |
(0:19:39.46) |
Misaki Kanou : I heard your group's got some creative differences. |
(0:19:42.60) |
Kyouya Hashiba : Well, uh... Yes. |
(0:19:45.08) |
Kyouya Hashiba : What's this? |
(0:19:51.52) |
Misaki Kanou : The script of a movie that came out the other day. |
(0:19:52.49) |
Misaki Kanou : It's had great reception, and seems likely to win a few some awards. |
(0:19:55.46) |
Misaki Kanou : But no one seems to like the actual movie. |
(0:19:59.88) |
Misaki Kanou : The director and cast probably did whatever they wanted. |
(0:20:03.31) |
Misaki Kanou : The runtime ended up too long, ruining the tempo, |
(0:20:06.63) |
Misaki Kanou : and wasting the strengths of the story. |
(0:20:08.80) |
Kyouya Hashiba : This really is hard, isn't it? |
(0:20:10.85) |
Misaki Kanou : A script isn't a finished product. |
(0:20:12.82) |
Misaki Kanou : If the point was to just have people read something, and that's all, |
(0:20:15.01) |
Misaki Kanou : it'd be better done as prose. |
(0:20:17.45) |
Misaki Kanou : At the script stage, it can still go either way. |
(0:20:19.45) |
Misaki Kanou : What you're doing isn't just a matter of subtraction. |
(0:20:22.71) |
Misaki Kanou : If the production side stops trying, then that means the whole project is doomed. |
(0:20:27.76) |
Misaki Kanou : That's how important it is. |
(0:20:31.67) |
Eiko Kawasegawa : You're handling production, so you should have some idea, right? |
(0:20:33.96) |
Eiko Kawasegawa : Don't underestimate filmmaking. |
(0:20:37.04) |
Misaki Kanou : I've got one piece of advice for you. |
(0:20:40.62) |
Misaki Kanou : Everyone involved in the filmmaking process is a creator. |
(0:20:42.80) |
Misaki Kanou : And no one outranks anyone else. |
(0:20:47.20) |
Kyouya Hashiba : Thank you so much! |
(0:20:52.41) |
Kyouya Hashiba : Whether it's ten years in the past or the future, time is limited either way. |
(0:20:58.44) |
Kyouya Hashiba : Why didn't I realize that sooner? |
(0:21:02.53) |
Kyouya Hashiba : I have to make sure I have no regrets, or nothing will change at all! |
(0:21:06.99) |
Kyouya Hashiba : Tsurayuki! Tsurayuki! |
(0:21:13.31) |
Tsurayuki Rokuonji : What? What is it? |
(0:21:15.89) |
Kyouya Hashiba : I'm sorry, Tsurayuki! |
(0:21:17.13) |
Tsurayuki Rokuonji : What brought this on?! |
(0:21:18.13) |
Nanako Kogure : What? What's up? |
(0:21:20.39) |
Aki Shino : What's going on? |
(0:21:21.45) |
Kyouya Hashiba : I want to talk this over again! |
(0:21:23.79) |
Kyouya Hashiba : So please, can we make some time for it? |
(0:21:25.81) |
Tsurayuki Rokuonji : It's already decided. Just do what you want. |
(0:21:28.64) |
Kyouya Hashiba : That's not true! We haven't even gotten started yet! |
(0:21:32.18) |
Kyouya Hashiba : You're right, Tsurayuki! |
(0:21:35.81) |
Kyouya Hashiba : We haven't filmed anything, or started an edit yet, |
(0:21:37.74) |
Kyouya Hashiba : so it's too soon to give up! |
(0:21:39.86) |
Tsurayuki Rokuonji : Kyoya... |
(0:21:42.70) |
Kyouya Hashiba : I want to talk this through as much as we can, until the last minute, |
(0:21:44.32) |
Kyouya Hashiba : so we can decide what we can do that'll have the best result! |
(0:21:47.58) |
Kyouya Hashiba : We'll worry about time later! |
(0:21:49.56) |
Tsurayuki Rokuonji : If you insist... I'm in, then. |
(0:21:54.17) |
Kyouya Hashiba : Yeah! Let's do this! |
(0:21:58.60) |
Tsurayuki Rokuonji : Great weather today. |
(0:22:11.85) |
Kyouya Hashiba : We picked a day where it was supposed to be clear. |
(0:22:13.53) |
Kyouya Hashiba : There was planning involved. |
(0:22:16.11) |
Tsurayuki Rokuonji : It was hard work getting everything to fit into three minutes too, y'know? |
(0:22:17.44) |
Kyouya Hashiba : Thank you. |
(0:22:21.96) |
Tsurayuki Rokuonji : Let's make this good. |
(0:22:23.23) |
Kyouya Hashiba : Yeah! |
(0:22:24.79) |
Aki Shino : Oh... This is... |
(0:22:27.00) |
Kyouya Hashiba : What is it? |
(0:22:30.09) |
Aki Shino : The camera that Tsurayuki-kun borrowed isn't a video camera. |
(0:22:31.27) |
Tsurayuki Rokuonji : No, that can't be... |
(0:22:36.49) |
Nanako Kogure : Why not just go get the right one? |
(0:22:43.48) |
Kyouya Hashiba : We can't. It'd take too long. |
(0:22:46.26) |
Nanako Kogure : Oh, no... |
(0:22:48.72) |
Tsurayuki Rokuonji : I'm sorry... I can't believe it turned out like this... |
(0:22:50.00) |
Nanako Kogure : Hey, everyone makes mistakes. Not much we can do. |
(0:22:52.60) |
Aki Shino : Yeah. There's nothing we can do. |
(0:22:55.87) |
Kyouya Hashiba : Is there... nothing? |
(0:23:00.32) |
Kyouya Hashiba : Didn't I spend my life ten years in the future |
(0:23:03.51) |
Kyouya Hashiba : repeating that excuse, and regretting it every time? |
(0:23:06.57) |
Kyouya Hashiba : And now, when I've got the chance to do it all over... |
(0:23:09.55) |
Kyouya Hashiba : Am I going to just do it again? |
(0:23:12.56) |
Kyouya Hashiba : Make excuses... and kick it all down the road, without actually achieving anything? |
(0:23:15.50) |
Kyouya Hashiba : Put a hold on everything for ten years, and see how that turns out? |
(0:23:19.74) |
Kyouya Hashiba : No! |
(0:23:25.98) |
Kyouya Hashiba : We are not out of options! |
(0:23:27.30) |
Kyouya Hashiba : We're going to figure something out, damn it! |
(0:23:31.93) |